My kitchen is a window into my life. You look around and you can see bits and pieces from every period of the last seven decades. It’s not a museum, as if I have utensils on display. It’s a working kitchen. But the things I have here are a small part of my personal history.
The sugar bowl on the counter is from my mama’s kitchen. A glass canister that sits atop a wire frame. The mouth of the canister is tilted forward. A thin, round metal lid sits over the opening. And inside is the tarnished metal scoop that holds about half a cup of sugar when leveled off.
Every gallon of sweet tea that I ever saw my mama make involved scooping sugar from this canister. And for the last 15 years, every gallon of sweet tea in my fridge has been made with sugar from this same canister.
I’m not saying there’s anything sacred about a sugar dish, but there is a connection here to another place and time. There are memories that transcend the years. And if nothing else, I find some satisfaction in knowing I still use it.
On the shelf above the counter is a collection of cookbooks. Most of them belonged to Beth. She was a great cook and was always in search of the next great recipe. A few came from my mama’s kitchen, and several came from my mother-in-law’s kitchen. All three of these women fried chicken and made cakes with the best of them. There are handwritten notes and added ingredients galore, because they were always putting their own special touch on whatever they cooked.
I don’t use these books. For the most part, they collect dust. Occasionally, my daughters will dig through them trying to discover the secret to some dish they remember. But they are of no use to me because I do not aspire to learn their incantations. If I can make a meatloaf and a baked potato, I can survive.
Of course, these days I have the magic of Marion in the kitchen when we’re together. She claims to have learned her southern cooking ways from her mother-in-law who used lavish amounts of sugar, butter, and bacon drippings to inspire almost every dish.
“When I cook,” she says, “I make it the way I like it.”
She has never let me down.
The wood floor in my kitchen has a story, as well. We had been in Pine Mountain a little over a year when Hurricane Opal came through in the fall of 1995. In fact, Opal came to see us on my birthday. Eighty mile an hour winds. Torrential rain.
Charles White’s pecan orchard fell like dominos. My buddy Wayne convinced me that we could get a boat load of lumber out of those trees if we were willing to work for it. And with Charles’ permission, we fired up the chainsaws.
I didn’t own a house back then. We were living in a small apartment in town. But I knew that one day I could use the lumber. We stored it for a couple of years and when the time finally came that I had a use for it, I borrowed a friend’s shop to plane, straighten, and mill that pecan into tongue and groove flooring.
Every day that I walk into my kitchen I think about the gift which that storm brought into this house. The adventure of a young man who didn’t know any better than to try something outrageous.
Then, there’s the fridge. Not the fridge itself, but the magnets that cover the doors on the front of the fridge. There must be 25 or 30 of them. They are the keepers of my travels with Marion. Before she came along, I had no magnets. The fridge was plain and barren.
We have been together for three years now. Our very first trip was to Ohio to see some old friends of mine whom I hadn’t seen in 30 years. That trip was on my retirement bucket list. Traveling was something I promised myself I would do, one way or another.
“You gotta have magnets,” she says to me. “They tell the story of where you’ve been.”
I didn’t see the point at first. She would buy them and give them to me with instructions to put them on the fridge. After about the first ten, I caught on. I always make sure to buy a magnet. Cades Cove. Maine. Canada. Grape Hammock Fish Camp. Desoto State Park. They’re all there.
They are the latest version of my story. The conversations on long drives. The campfires by the creek. The mountain views looking out across sleepy valleys. The beauty of this world. The way in which on each adventure we discover more of the reasons God has brought us together.
One kitchen tells the whole story.
In the last five years I have reorganized and redefined a lot of spaces in this house. When a man loses his wife, he begins to redefine himself and some of that spills out into the way he moves furniture around or takes down old picture frames and hangs new ones. He might completely overhaul one room and only make slight adjustments in another. But whatever the effort, it’s about making his home fit his soul.
But I haven’t done much in the kitchen. I rearranged the contents of some of the drawers early on. That confused the heck out of me for a while. I put a valance up over the windows. I added a picture or two. And most recently, I put a rug under the kitchen table, something I’d wanted to do for over 20 years but never did until a few months ago.
A couple of weeks ago, I got the notion to replace all my silverware. We had some friends over and when I went to set the table I realized I couldn’t put out four forks that matched. I have two drawers of eating utensils that look like a rag-tag collection that somebody scraped together at the bargain store.
“I want a matching set,” I told Marion. “If everybody comes over to eat, I want my table to look like I have a little bit of class.”
Marion was totally sympathetic. “You’re such a girl.”
“Might be,” I said, “but I’m looking for some new flatware.”
They came a few days ago and I dug into the box like it was Christmas. I emptied the two drawers by the sink and laid all the old stuff on the counter by the stove. Six distinctly different styles of cutlery. I probably had 50 pieces laid out and no more than four of any fork, spoon, or knife was alike. I bundled them all up in rubber bands for the thrift store.
I now have sixty new pieces. They all match. They’re not bent. They’re not scratched. I kept opening the drawers to check out how good they looked.
Call me a girl if you want, but this new silverware is dressing up a kitchen with a lot more stories yet to tell.
Now, if only I could cook.